RARO Studio

 Founder, Creative Direction

Context

In 2015, I founded RARO Studio- a collective of writers, photographers, musicians, painters, and storytellers from Minneapolis, MN. I led the creative direction for the project and served as Editor of 8 publications featuring original artwork from over 20 contributors traveling in 9 cities across 5 continents. Together, we told a story of self-transformation, using travel as a leading metaphor.

Quick credit: Logo design by Liv Novotny

Objective

This project was an experiment in form. I wanted to collaboratively tell a story and to do it digitally. I wanted to create connections between these artists, who were all experiencing a similar trajectory, thousands of miles apart. I wanted to draw the line between their experiences of travel to the inner experiences of the audience, going out into the unknown in their own lives.

I also wanted to change the way we share on the internet. In 2015, it felt like we were being swallowed by social media, caught in a current that cheapened our experiences and rarely brought us closer together. This was a deliberate move away from that trend, a fish trying to swim upstream. I wanted to create a place. A place where the stories of these young travelers could meet and see themselves a little less alone. A place where an audience could come, too, and see how they fell into this picture.

 

Excerpts from the Project

Leaving Disorientation

There was a typewriter, lettering pages. “And on this day,” it read, “I shall no longer feel as you feel. It is not that I place myself above you; it is that I think I have moved beyond this burden you think is your own to carry. I can no longer pretend that what you do is… This is no longer our… I… When I wake up tomorrow I will fjeojaonbls.jlejgoejfoaafeo.”
— From "Yellow Park" by Ben Keran
 

Photography by Madeline Harpell

“Departure” by Wolphe

“Next Stop” by Andreas Fenner

Who the hell likes being anything while they’re being it? It’s ingrained in human nature from the beginning. There’s even a popular kids game all about the subject.” His comments were heavy with integrity. As if this man knew all the common sense and was now reciting with ease.
“What children’s game is that?”
“Tag, son. Tag.
— "Leaving of the Light" by Adam Peltier
 

Somewhere in the Western World by Shawnna Stennes

“After Afterimage” by Sammy Brown

La Espiral by Sofia Logan

How strange it is to be so close to the clouds,
where condors pass through dead kingdoms,
under the cold sun.

In the Andean spiral of time,
we tread the same steps of our ancestors,
withered, strong,
the past leads the way.

 

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Lonesum Discovery

Welcome to the tribe.
Welcome to the cosmopolite center
to the stone scream & spiral.

Welcome to the deadline.

Roam with us.
— From "Deadland Prelude" by Louie Darang

by Mirjana Mataya

Poorboys by Louie Darang

Poorboys by Louie Darang

Sully Funk and The New Wild by Madeline Harpell

They wanted the most emotionally diverse part of our memory. Of course we chose her. She was everything to us.
...
I guess if you can’t see her now, it’s over.
...
Believe me though, no matter what, I think this was the right decision. The chance to start over with her... it was too much to resist. Better than suffering until that ineveitable heart attack or stroke or cancer...
— "Remission" by Ben Keran
 
So when the scarlet sun goes down,
If you open yourself to me,
In waters shimmering and silvered,
Over the balcony of the sea.
You will find a gentle wave,
You will find me there – dancing somewhere in that green sea light at dusk,
Running through white sands,
That extend infinitely along the horizon,
Under the crystal moon and wind chimes...
— "Isabela" by Sofia Logan


Trust in the Unexpected by Madeline Harpell

 

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Connection

by Madeline Harpell

by Madeline Harpell

why should my bones yield
to dust,
with each day serving as further reminder
that at the end of the song
at the turn of the conversation
at apoptosis
at the parting of cells and rivers
we are faced wit the inevitable
uncomfortable thought of ash to ash,
dust to dust,
that just as we were spawned from dying stars
yielding to seven billion dying cells
that we must yield our dust to new life,
yielding passing shape & form
fleeting thoughts
to new earth.

but it can’t stop
once it’s begun
— From "Genesis Song" By Louis Darang
by Andrew Tomten

by Andrew Tomten

When you meet someone
remember that you are entering
the story of their life..

Just as they are an addition to
the marvelous depths of your experience
on this rock-
so are you to theirs.

Don’t think so mightily of yourself
that you cannot keep this in mind.
— From "4x4/16" by Roman Yanish

A Photoset from Japan by Ben Keran

This is two years
come up and gone
for such a mangy crowd
of miserable twentysomethings,
passed out strung out
and rose again
from lovers to laborers
all back to oblivion
and we are mad gods...
— From "Petrichor" by Louie Darang

Light Leak by Madeline Harpell

Light Leak is an image that captures the present moment being inscribed as a tri-fold: down the middle is the heartbeat present of the moment, the right is the fading memory, and the white half is the purity of the future.
— Madeline Harpell
 

 

J O Y

Become Living Thing by Madeline Harpell

Places by Andrew Tomten

First a strip of red lines the horizon, not even high enough for the lake to see. The body moves in blackness, I know its crash as it splashes against the rocky shore. An embrace of the water and the land - this is a good place. I can feel droplets reach my skin- perhaps I am harder than I thought. Here, on this boundary between liquid and solid, I realize my weight. I match my breathing to the rhythm of the waves. The dark curtain rises a little higher. Long, thin stretches of cloud lay upon one another like lovers. Before long these black clouds glow pink as the sun draws nearer to the horizon. The blood red recedes to orange and expands wider. Its fingers are pink and I can see the shore line on both sides of me. The lake breathes in and out. There is nothing I can do except remain on the rock and breathe as well. I am overtaken. I am only where I am.
— From "Flows Through Us All" by Roman Yanish

Sunrise by Roman Yanish

International Date Line by Madeline Harpell

International Date Line by Madeline Harpell

 

Impermanence

Lavanderia Dias by Jacki Couture


Learn to forget to relearn
5 sentences por cada cosa
2 weeks in, nothing stays, nothing stays
Hola, me llamo somebody.
The twelve year old at the lavanderia doesn't
Know you by name, but by face
The all too routine
"Buenos Dias, Muchas gracias"
Is your brand
Twice a month to clean away the residue
Of trying to adopt someone else's world
Down the drain, down the drain
Friday nights mean
"Chica Guapa, Que Linda!"
But by saying nothing, you're
Yelling something
Only saved by the rain
Wash away, wash away
Lights go out, silent night
Dreaming in Spanglish will have to suffice
An x on the calendar is all that remains
Night 15 down
Another day, another day

Overtaken by Clouds by Roman Yanish


Video and Sound by Shawnna Stennes

More by Ben Keran here

A Chance Enounter I & II by Andreas Fenner (click to enlarge)

 

Caterpillar Cruise by Sammy Brown (click to enlarge)


Delta by Lisa Marie Monterroso (click to enlarge)

Model: Logan Geary
Edit: Cameron Yang and Lisa Marie Monterroso

Lotus by Lisa Marie Monterroso (click to enlarge)

Model: Wren Warplanes
Edit: Lisa Marie Monterroso

No man ever steps in the same river twice for it’s not the same river and he’s not the same man.
— Heraclitus
Nature’s first green is gold, her hardest hue to hold. Her early leafs a flower; but only so an hour. Then leaf subsides to leaf. So Eden sank to grief, so dawn goes down to day. Nothing gold can stay.
— Robert Frost

Monarch by Lisa Marie Monterroso (click to enlarge)

Model: Cameron Yang
Edit: Cameron Yang and Lisa Marie Monterroso

The butterfly counts not months but moments, and has time enough
— Rabindranath Tage
 

Little Piece by Little Piece by Roman Yanish

I.
Little piece by little piece
You will grow ugly in time
Your hair will fall out
Following your teeth in-to the garbage bin
Little by little you will lose all of your friends
You will move away
And by the time you get back
There will be no audience for you, man
And boy oh boy
Don’t think too hard about what you want to destroy
II.
I’m not a loss but what do I hope to gain?
Find something simple to do
Oh baby tell me lately-
Who have you been talking to?
Get a job that pays your bills
And try not to steal anyone’s pills
There’s still time for you to learn some skills
If all else fails move to thailand and chill
But don’t think too much about wanting
Cuz you never get enough.
So breathe more, sleep less
Make your own lunch and figure out how to dress
There’s nothing new under the sun
So don’t go thinking you’re the chosen one
Or you’ll hurt the ones you love
And you’ll trip and fall if you’re busy looking above
III.
Do your friends make you feel more or less alone?
Do your friends make you feel more or less alone?
And how do you like yourself?
People know you jump ship too quickly
No I will not let you off easy this time my friend
There is something inside that has to end
You’ll tried to kill it off once now drink up again
I’m not here to count my sins
But I want to know how it ends
IV.
Here
        i
                stand
A
        lonesome
                        man
And i am so
By
        my
                own
                        hand

And i once tried to kill myself
Now i’m a book up-on the shelf
But i’m no reread
i am a
                one
                        and
                                done

And i’ll be dead once i’m done trying
i’ll be dead once i’m done trying
i’ll be dead once i’m done trying
But the ink is still drying
The ink
                is
                        still
                                drying.

We’re all still dying.


and i’ll be dead once again
and i’ll be dead once again
and i’ll be dead once again
and  i’ll be dead once again

If death knocks let her in.

 

Light at the End I, II, III, and IV by Madeline Harpell

I must write, quickly now

the Sun is going down

under the ridge’s height

its tall shadows sweeping all

of the valley that i sit inside.

Shine more light upon me

O brilliant Sun

for I have just been born

 

I must write, quickly now

the cold approaches-

returning invisible

hiding among the air

it lives in fog-

but I feel so happy now

with your light showing me my-self

 

Do not worry, Shining Sun

I know you shall return

to clear away the morning mist

and open my eyes once more
— "Sunset on the Third Day" by Roman Yanish

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Onward, Still

Enlightener by Jacki Courture

Enlightener by Jacki Courture

Verge and Emblem by Madeline Harpell

Video By: Ben Keran Description: This video is a collection of different videos taken during Ben's study abroad experience in Japan, edited to the theme of "Onward."

Baiji's Hometown by Andreas Fenner

 

 
trainwreck.jpg

Photography by Madeline Harpell

The siren-like sounds near the ending of Plastic Lime came from underwater recordings of Bowhead whales. Besides sounding awesome, almost warlike, we chose their sonic songs because they have an interesting history. Biologically, Bowhead whales are the oldest mammals (200+ years) on the planet. In recent times, people have found whaling tools lodged in their bodies that date back to the late 1800s. Bowheads have lived long enough to see the terrors of whaling practices and have in just a few generations learned to be wary of humans. They are now known to be some of the shyest whales, hiding underwater in the icy waters of the Arctic when humans are nearby.
Humans have many different interpretations of “The End of the World,” however we feel the Bowheads have, in a sense, experienced their own glimpse of the end. We are both fascinated with whales because even though they are the largest living things on the planet, they still remain one of the biggest Oceanic mysteries.
— Andreas Fenner and Shawnna Stennes
Faith-Unbelief by Madeline Harpell

Faith-Unbelief by Madeline Harpell

Chandelier Dream by Madeline Harpell

Chandelier Dream by Madeline Harpell

The Gatekeeper by Ben Keran

The Gatekeeper by Ben Keran

F.O.G. (Fear of Ghosts) by Roman Yanish

F.O.G. (Fear of Ghosts) by Roman Yanish

Some of us were checking our phones

some of us were stuck in traffic.

a little kid was playing with dolls

some of us were in shopping malls

and it came anyway

 

some of us were dancing in the kitchen

some of us were making love

some of us were walking the dog

some of us were stuck in a fog

and it came anyway

 

some of us were doing our chores

some of us were busy being whores

some of us had just been born

some of us were watching porn

and it came anyway

 



a musican had just gotten into tune

someone was reading in their room

and it came anyway

 

most of us were thinking about poor me

so many were watching TV

people were praying to their gods

when they found out it was all fraud

and it came anyway
 

Oh Mother, if only we had known 

you’d leave us before we’d grown

I swear I’d be better next time

I dropped you a line

sang you a rhyme

spent a dime.

The end is near, we heard them say

kept on living anyway

as if it was another ad to ignore

such a bore

Then we bought some more. 

I wish I had someone to blame

but Mother Night is calling my name

all my life I’ve felt ashamed

never thought I’d see the day

when it came anyway. 

 

There were people crossing desert sands

baby bodies washing up on foreign lands

people trying to make ends meet

people marching in the street

people just living their lives

trying to survive modern times

hoping to enjoy a little more wine

or cross the border line

and it came anyway. 
— "Anyway" by Roman Yanish
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Forward by Ben Keran

Forward by Ben Keran

by Jacki Couture

by Jacki Couture

Written while walking through the Burren in Ireland in 2012. The backing vocals were added later and is here sung by the girlschoir 'Østerbro Pigekor' live in Copenhagen in the church Frihavnskirken, 2013